oil, canvas, 54 × 73 cm
Signed and dated l. d.: "Hayden/56"
Provenance:
- Collection of Ursula and Piotr Hofman
Exhibited:
- "Szymon Mondzain and the École de Paris. Polish avant-garde painting of the second half of the 20th century. Collection of Ursula and Piotr Hofman", 22.02.2015-22.04.2015, Abbotsford Palace - Department of Modern Art of the National Museum in Gdansk
Reproduced:
- "Collection of Ursula and Piotr Hofman," ed. U. Hofman, Warsaw, 2013, p. 7.
- "Collection of Ursula and Piotr Hofman," ed. U. Hofman, Warsaw, 2018, p. 25.
"[Among those who] do not sin with a lack of museum education, are traditionalists, but do not lend themselves to the tendency to archaize and follow either the youngest directions in French art or independently solve the problems of painting and sculpture [is Hayden], who most clearly and intelligently uses the influence of the art of Cézanne and Gaugin, but [shows] a distinct talent for composition and complete originality in the decorative harmonization of color patches [....] " (Quoted in. For "Polish Artists in Paris. An Analogy of Texts on the Polish Art Colony Active in Paris from 1900 to 1939, selection and compilation by Anna Wierzbicka, Warsaw 2008, p. 164; Artur Winiarski, "Masters of École de Paris Henri Hayden," Villa La Fleur, Warszaw 2013, p. 41.).
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